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The twin 7-inch woofers, each powered by a 500-watt Class-D amplifier, are striking. These bass drivers benefit from the newly developed SMA and ELE technologies, which are optimised for low distortion and linear bass reproduction down.
Adam Audio S5H Price Professional Audio Application
With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields.The A8X is equipped with the X-ART tweeter and a large (8.5') midwoofer, a combination that adds both a very deep and yet very tight bass. With its power and radiation characteristics, the ADAM Audio A8X Powered Monitor is suitable for both near-field and midfield monitoring. 1 stores.Studio Monitor is such loudspeakers which are mainly designed for professional audio application- like: filmmaking, radio studio, and recording studios, as these are useful in mixing and audio recording.A Mango Sound &252 zlete Authorized ADAM Audio Listening Center mins&237 t&233 ssel rendelkezik, ami mindamellett, hogy hatalmas megtiszteltet&233 s sz&225 munkra, azt is jelenti, hogy marad&233 ktalanul megfelel&252 nk a legend&225 s berlini gy&225 rt&243 legmagasabb mins&233 gi k&246 vetelm&233 nyeinek, hiszen szerte a vil&225 gon csup&225 n a legkiv&225 l&243 bb Pro Audio kereskedk viselhetik ezt a c&237 met.Adam audio Speakers SAVE money by comparing prices on 200+ models Read Reviews and expert tests Dont overpay. From &163 1,086.00.Through Studio Monitors you will get more accurate sound in comparison to speakers. Speakers miss few sounds, but the studio monitor records every sound in detail, which might be helpful in professional work.
We are Available on Call and WhatsApp on +918652863447Over the past few months, I've had the opportunity to test drive the S3V, the mid-priced model of the line, in my studio. As many of you know, ADAM speakers use a proprietary folded-ribbon tweeter and waveguide.Due to significant demand of audio gears, Please Check Availability with us before place the order. These speakers represent the newest advances in technology from ADAM and include updates in driver, porting, and cabinet design.
A USB Type?B connector allows access to the onboard DSP through a computer running ADAM's downloadable S Control software (macOS or Windows) for EQ and room correction. On the rear panel of the speakers, one XLR jack is for analog input, and a separate pair of male and female XLR jacks provide digital (AES3) input and thru. With all that horsepower, these full-range, high-powered studio monitors offer a maximum SPL of 124 dBA at 1 m, with a frequency response of 32 Hz – 50 kHz. Each S3V is DSP-controlled, with a dedicated power amp for each driver — 500 W, 300 W, and 50 W, respectively.
The frequency response measured flat down to 40 Hz, with a −8 dB roll-off at 30 Hz. Before applying any corrective EQ, I wanted to establish a baseline for the S3V, so I ran some tests using Room EQ Wizard and FuzzMeasure , and found the response of the S3V to be almost identical to that of my main monitors, which happen to be a pair of vintage 12'' Tannoy Little Golds with Tannoy TS?10 subs. (I have found many speakers change drastically in the first 20–30 hours of use, and I wanted to give the S3Vs an honest first listen.) In my mix studio, I run Sonarworks Reference 3 software to tune my monitors. To break in the S3V pair, I put on an iTunes playlist at a moderate level and let the S3Vs play overnight for about a week. I also plugged a USB cable into each speaker so that further EQ tweaks could be made from the comfort of my mix position, via S Control on my laptop. On the front panel of the cabinet is an LED indicating power status, and the bottom front of the cabinet sports two triangular ports.In my mix room, I placed the speakers about 65'' from mix position, in the typical equilateral configuration, and set the speakers to the "Pure" (flat) factory preset using the rear-mounted encoder and screen.
S Control's EQ provides low and high–shelves, plus six parametric bands. Also, two factory and two user EQ presets can be recalled. S Control's photorealistic GUI allows setup of the speaker, including analog/digital input selection, volume adjustment (−60 dB to +12 dB), and delay time (up to 5 ms).
On some heavy blues-rock, the guitars sounded great, while the S3V's laid-back mid-bass left the bass guitar feeling a little distant. That EQ, to my ears, gave the S3V pair a solid, but not overly hyped, low end that left room for a bit more clarity across the rest of the spectrum.Over several weeks, I found the S3V enjoyable to listen to, with its genre sweet-spots being pop R&B and modern-rock music, where the S3V exhibited a clean transient response, with punchy lows and a clear presentation of vocals and ambience. I eventually settled on a wide bell cut of about −4 dB around 50 Hz. My workaround was to put an EQ plug-in on my master fader, dial in a curve with the plug-in, and then copy the EQ settings into S Control to load into each speaker. I found that, with ADAM's software, you don't hear the EQ until you load the setting into the speaker, and the speaker mutes for about 30 seconds before it fires back up with the new EQ preset — a tedious process that doesn't allow for real-time trials.
For dense pop and rock mixes, my passive speakers provided a bit more detail, especially in the bass tones around 100–300 Hz. The S3V worked great for acoustic-music mixes and even for mastering fusion and chamber music. That caused me to shy away from any extreme EQ changes, since the speakers seemed to smooth out some of the EQ changes I made. While mixing some modern EDM and R&B vocals, I found that I had a wide range of acceptable high-frequency EQ settings that all sounded good.
With a street price of $5,999 per pair, the ADAM Audio S3V has some stiff competition, but its feature set and overall quality put it in a good position to compete well with other speakers at this price point. The S3V provides a much larger sound than one would expect from this size cabinet, and the sound is refined and detailed. I would recommend a listening distance of at least 6 ft from each speaker to allow the 3?way configuration to develop a cohesive sound and image, which may make these speakers too large for control rooms less than 15 ft deep. The amount of onboard amplifier power and the wide sweet-spot make the S3V an effective midfield monitor for large control rooms. I think a client sitting off to one side would be able to make informed mix decisions.
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